The Secret Within the Strokes: Unlocking the I Ching's Wisdom Through Its Ancient Characters

Xion Feng

Xion Feng

Xion is a Feng Shui master from China who has studied Feng Shui, Bagua, and I Ching (the Book of Changes) since childhood. He is passionate about sharing practical Feng Shui knowledge to help people make rapid changes.

Follow me on

Introduction: More Than a Name

We approach the I Ching, the Book of Changes, as a source of deep philosophy and a guide for telling the future. We toss our coins or yarrow stalks and get a hexagram, a pattern of six lines with a message for us.

But what if some wisdom has been hiding in plain sight?

Beyond the Hexagram

We accept the names given to these patterns. Hexagram 3 is "Difficulty at the Beginning." But have we ever asked why it is named with the character 屯 (Zhūn)? What does this character, in its old form, show about the nature of that difficulty?

This is the journey we will take. We will go beyond the translated names and look into the original Chinese characters, exploring their ancient forms to find a story written in the very strokes.

Soul of Characters

Ancient Chinese characters are not random symbols. Many are pictures and idea-symbols that directly show the physical world and abstract ideas.

Each character is a tiny story, a piece of ancient thought saved in ink. To understand the character is to grasp the hexagram's core on a basic, visual level.

The Living Language

To read these tiny stories, we must first understand the language they were written in. The wisdom of the I Ching cannot be separated from the nature of the ancient Chinese writing.

This writing was a direct link between the human mind and the patterns of nature, a philosophy that fits perfectly with the I Ching itself.

Pictures to Ideas

Ancient Chinese writing works on simple principles. The most basic are pictographs (象形字, xiàngxíngzì), which are simple drawings of objects.

The character for mountain, 山 (shān), started as a simple sketch of three peaks. The character for sun, 日 (rì), was once a circle with a dot in the center.

More complex are ideographs (会意字, huìyìzì), which combine pictographs to create an abstract concept. The character for "good," 好 (hǎo), is a mix of woman (女) and child (子), a widely understood image of harmony and love.

Worldview in a Stroke

The I Ching was put together over centuries, mainly during the Shang and Zhou dynasties. This was the time of oracle bone script (甲骨文) and bronze script (金文).

This is a key link. When we look at the ancient forms of the hexagram names, we are not doing a modern academic exercise. We are seeing the characters as the original authors and fortune-tellers of the I Ching would have seen and understood them. We are directly accessing their worldview.

Etymological Deep Dive

Now, we apply this lens to the hexagrams. By analyzing the original forms of their names, we can read them anew, finding gut-level meanings that translations often miss. We will group them by theme to see the patterns of ancient thought.

Natural World Reflections

The wise people who compiled the I Ching were keen observers of nature. They saw the grand principles of the cosmos reflected in the smallest details of the world around them, and they coded these observations into the characters.

Let's look at 屯 (Zhūn), Hexagram 3, Difficulty at the Beginning. Its ancient oracle bone script is a clear image: it is a drawing of a young plant sprout, curling and struggling to push up through the earth's surface.

The flat line at the bottom is the ground. The curved, hooked line is the tender shoot, full of promise but facing huge resistance. The hexagram's meaning is no longer an abstract "difficulty"; it is the specific struggle of new life emerging. It is about the huge energy needed to break new ground, filled with both danger and promise.

Consider 坎 (Kǎn), Hexagram 29, The Abysmal. The modern character can seem unclear. But its ancient form is a mix of 土 (tǔ), meaning earth, and 欠 (qiàn), a picture of a person with an open mouth, often meaning a lack or deficit, in this context, falling.

The combined image is of a pitfall, a person falling into a hole in the earth. This is far more vivid than "abyss" or "water." It speaks of a sudden trap, a dangerous situation where one is stuck and must be very careful. The character itself warns of the danger.

Scenes from Ancient Society

The I Ching is not just about nature; it is a guide for human action and social order. Many characters are snapshots of life in ancient China, showing principles of leadership, conflict, and community.

Take 师 (Shī), Hexagram 7, The Army. The ancient bronze script shows a boundary or a standard, surrounded by people. It is a clear picture of a group of people organized around a central point of authority.

This character tells us that an "army," in the I Ching's sense, is not just a mob of soldiers. It is any group that needs structure, discipline, and a unifying principle to be effective. The wisdom of the character is about the need for leadership for any group action, whether military, civic, or family.

Now examine 讼 (Sòng), Hexagram 6, Conflict. This character is an ideograph made up of 言 (yán), meaning words or speech, and 公 (gōng), meaning public, just, or official.

The character itself defines conflict not as mere violence, but as a public dispute argued through words. It points to two parties bringing their claims before a public or fair authority for judgment. This etymology reframes the hexagram's advice: the challenge is to manage a verbal, public disagreement, not necessarily a physical fight.

Abstract Virtue Shapes

How does one draw a picture of a virtue? The ancient sages did so by combining concepts, creating profound ideographs that explain the very structure of morality and inner states.

When we first break down the character 谦 (Qiān), Hexagram 15, Modesty, its meaning becomes unforgettable. It is made up of 言 (yán), speech, and 兼 (jiān). The character 兼 originally showed holding two stalks of grain in one hand, meaning "holding multiple things at once" or "simultaneously."

Therefore, true modesty, 谦, is not about speaking lowly of oneself. It is about speaking in a way that holds multiple views equally and fairly. It is the virtue of giving fair weight to all sides of an issue, of being thorough and unbiased in one's words. The character itself teaches the deepest form of humility.

Finally, consider 恒 (Héng), Hexagram 32, Duration. Its ancient form is a beautiful and evocative image. It shows a 心 (xīn), the heart or mind, positioned between two lines that can be seen as the banks of a river, with a crescent moon or a boat in the center.

The imagery suggests a journey. Duration or perseverance is a matter of the heart's constancy (心) through the passage of time (the moon) or across a long distance (the river journey). It tells us that true endurance is not a static state but a dynamic process, a steadfastness of spirit kept through all of life's cycles and journeys.

The Complete Etymological Lexicon

The deep dives reveal the power of this approach. To make this wisdom practical, we have compiled a quick reference for the etymological core of all 64 hexagram names.

Using This Table

Use this table as a companion to your I Ching study. When you receive a hexagram, look to its name and its original meaning. Let the ancient image inform your understanding of the text.

The 64 Hexagrams

# Hexagram Name Common Translation Brief Etymological Insight
1 乾 (Qián) The Creative Pictograph of the sun's rays or rising vapor; pure, active, celestial energy.
2 坤 (Kūn) The Receptive Ideograph of 土 (earth) and 申 (stretching); vast, yielding, nourishing earth.
3 屯 (Zhūn) Difficulty at the Beginning Pictograph of a plant sprout pushing through the earth's surface.
4 蒙 (Méng) Youthful Folly A plant (艹) covered (豕) by darkness/vines; ignorance, immaturity, being covered.
5 需 (Xū) Waiting A person (而) under rain (雨); waiting for rain, a fundamental need.
6 讼 (Sòng) Conflict Ideograph of 言 (speech) and 公 (public); a public dispute using words.
7 师 (Shī) The Army A group of people surrounding a standard; organized, disciplined collective.
8 比 (Bǐ) Holding Together Pictograph of two people walking side-by-side in the same direction; union, alliance.
9 小畜 (Xiǎo Chù) The Taming Power of the Small 畜 depicts a field (田) with silk thread (玄); accumulation, nourishment, restraint.
10 履 (Lǚ) Treading A body (尸) and footsteps (复); walking a path, conduct, following a trail.
11 泰 (Tài) Peace A person (大) with hands in water (水); washing, cleansing, smooth flow, harmony.
12 否 (Pǐ) Standstill Ideograph of 不 (not) and 口 (mouth); inability to speak or communicate, obstruction.
13 同人 (Tóng Rén) Fellowship with Men Ideograph of people (人) gathered at a gate or in a hall (同); community, gathering.
14 大有 (Dà Yǒu) Possession in Great Measure Ideograph of 又 (hand) holding meat (月/肉); to have, abundance, great harvest.
15 谦 (Qiān) Modesty Ideograph of 言 (speech) and 兼 (holding impartially); speaking with fairness to all.
16 豫 (Yù) Enthusiasm A person (予) and an elephant (象); elephants were used in joyous ceremony, delight.
17 随 (Suí) Following Pictograph of feet (止) following a path or falling from a height (隋); to follow, to yield.
18 蛊 (Gǔ) Work on What Has Been Spoiled Pictograph of worms (虫) in a vessel (皿); decay, corruption, stagnation needing a cure.
19 临 (Lín) Approach A person looking down from a ledge (臣) at objects (品); overseeing, arriving, looking down upon.
20 观 (Guān) Contemplation An egret or heron (雚) and sight (见); careful, patient observation, a wide view.
21 噬嗑 (Shì Kè) Biting Through A mouth (口) with an obstruction (Gua shape) inside; to bite through an obstacle.
22 贲 (Bì) Grace A cowry shell (貝) under plants (艹); decoration, adornment, beautifying nature.
23 剥 (Bō) Splitting Apart A knife (刀) carving or stripping something (录); peeling away, erosion, decline.
24 复 (Fù) Return A path (彳) and a turning foot (复); going back to the origin, turning back.
25 无妄 (Wú Wàng) Innocence No (无) wild or deluded (妄) action; acting in accord with heaven, without expectation.
26 大畜 (Dà Chù) The Taming Power of the Great Great (大) accumulation (畜); restraining and building great potential.
27 颐 (Yí) The Corners of the Mouth Pictograph of the jaw and cheeks; nourishment, self-cultivation, what one takes in.
28 大过 (Dà Guò) Preponderance of the Great A person (大) passing through a bent or broken frame (过); excessive weight, a breaking beam.
29 坎 (Kǎn) The Abysmal A pit (土) and a person falling (欠); a pitfall, repeated danger, a trap.
30 离 (Lí) The Clinging, Fire A mythical bird (离) or a net for catching them; clinging, dependent, intelligent, bright.
31 咸 (Xián) Influence (Wooing) A mouth (口) and a halberd (戌); to affect or cut all, universal influence.
32 恒 (Héng) Duration The heart (心) on a journey or through cycles of time (moon); constancy, perseverance.
33 遁 (Dùn) Retreat A shield or covering (豚) and motion (辶); a strategic, hidden withdrawal.
34 大壮 (Dà Zhuàng) The Power of the Great A scholar/warrior (士) who is strong (壮); robust, mature power ready for action.
35 晋 (Jìn) Progress Two arrows (or suns 日) being received (亚); advancing into the light, promotion.
36 明夷 (Míng Yí) Darkening of the Light A bird (夷) with a wounded eye/arrow in it; light (明) being injured, intelligence suppressed.
37 家人 (Jiā Rén) The Family A roof (宀) over a pig (豕); the household, domestic life, the clan.
38 睽 (Kuí) Opposition An eye (目) looking askance (癸); staring at cross-purposes, misalignment, divergence.
39 蹇 (Jiǎn) Obstruction A foot (足) in a cold or icy place (寒); limping, being hindered by difficult terrain.
40 解 (Jiě) Deliverance To separate a horn (角) with a knife (刀) from an ox (牛); to untie, liberate, resolve.
41 损 (Sǔn) Decrease A hand (手) taking from a vessel (员); to reduce, to lose, a necessary sacrifice.
42 益 (Yì) Increase Water (水) overflowing a vessel (皿); abundance, gain, beneficial overflow.
43 夬 (Guài) Break-through A hand or tool opening a channel for water; resolute action, a decisive parting.
44 姤 (Gòu) Coming to Meet A woman (女) meeting a ruler (后); an unexpected or powerful encounter.
45 萃 (Cuì) Gathering Together Soldiers (卒) under plants (艹); a dense gathering, like troops assembling in hiding.
46 升 (Shēng) Pushing Upward A ladle (升) used for measuring grain; gradual, measured ascent.
47 困 (Kùn) Oppression (Exhaustion) A tree (木) enclosed in a box (囗); growth being confined and restricted, exhaustion.
48 井 (Jǐng) The Well Pictograph of a wellhead frame; a constant, central, life-giving source.
49 革 (Gé) Revolution (Molting) An animal hide stretched on a frame to be cured; radical change, shedding the old.
50 鼎 (Dǐng) The Cauldron Pictograph of a bronze ritual cauldron; a vessel for transformation, nourishment, authority.
51 震 (Zhèn) The Arousing (Thunder) Rain (雨) and a celestial dragon (辰); a shocking, powerful, arousing event from above.
52 艮 (Gèn) Keeping Still, Mountain A person (人) turning to look back (匕); stopping, a boundary, a hard limit.
53 渐 (Jiàn) Development (Gradual Progress) Water (氵) cutting or advancing (斩); slow, steady progress, like water shaping a landscape.
54 归妹 (Guī Mèi) The Marrying Maiden A young woman (妹) going to her new home (归); following propriety in a subordinate role.
55 丰 (Fēng) Abundance A vessel (豆) filled to the brim with offerings; peak fullness, bountiful harvest.
56 旅 (Lǚ) The Wanderer People under a banner (方); a traveler, stranger, someone outside their home territory.
57 巽 (Xùn) The Gentle, Wind Two people (己) sitting on a stand (共); to follow, to comply, gentle penetration like wind.
58 兑 (Duì) The Joyous, Lake A person (儿) with an open mouth (口); speech, pleasure, an open exchange.
59 涣 (Huàn) Dispersion Water (氵) scattering or exchanging (奂); dissolving, scattering, breaking down barriers.
60 节 (Jié) Limitation A bamboo joint (节); natural divisions, proper limits,節度.
61 中孚 (Zōng Fú) Inner Truth A hand (爪) over a child (子); sincerity, trust, like a bird carefully incubating an egg.
62 小过 (Xiǎo Guò) Preponderance of the Small A bird (象形) flying past (过); paying attention to small details, minor transgressions.
63 既济 (Jì Jì) After Completion A vessel (旡) and a person turning away; the meal is finished, already crossed the river.
64 未济 (Wèi Jì) Before Completion A foot (止) crossing a river (氵) but not yet reaching the other side; not yet across, ongoing process.

Conclusion: Reading with New Eyes

We began with a simple question about the names of the hexagrams. We found that these are not just names, but packed bits of philosophy, visual stories from the ancient world.

Wisdom in the Characters

The wisdom was always there, embedded in the strokes. To see 屯 as a struggling sprout, 师 as an organized group, or 谦 as fair speech is to connect with the I Ching on a level that goes beyond translation.

It moves the hexagrams from abstract concepts into the realm of real, felt experience. This is the world as the sages saw it, and the characters are our window into their minds.

Your Journey Begins

The next time you consult the Book of Changes, do not stop at the name or the number. Pause. Look closely at the character of the hexagram itself. Let its ancient form speak to you.

By learning the original language of the I Ching, we do more than study an ancient text. We begin to think alongside its creators, and we read its timeless wisdom with new eyes.

0 comments

Leave a comment

Please note, comments need to be approved before they are published.

Rotating background pattern
Feng Shui Source

Table Of Content